Tuesday, September 26, 2006

Influences (Fling & Splat)

"Secret Message" is getting there. This wholecloth dyepainted & discharged piece turned out to be great fun. The original painting was an automatic pilot gesture but I trust my hand, at least I should more often. I wanted to counterbalance the grossness of the large markings when it came to the discharging but I wussed out. I may go back and do some heavier stitching to rectify that lack of unity. During the 60's I spent countless hours in art museums in NYC staring, slack-jawed as an ape, at contemporary paintings and marveling that these guys were getting huge bucks for flinging paint around just to hear it splat and then more hours listening to my stoned professors Explain It All, Abstract Expressionism, that is. No matter what they had to say,I don't think I ever got over the notion that these artists were putting a big one over on critics, museums, collectors and J.Q Public. I imagined them lounging about their lofts, garrets and studios totally fatigued from bouts of hysterical laughter as they "SOLD ANOTHER ONE" nyuk, nyuk, nyuk. Don't get me wrong, I think it's totally smooth operating and marvel that it happens as often as it does and don't mind admitting that I'd love to hold my own sides in pain even as I realize that it takes a little more than fling...splat. Robert Motherwell

1 comment:

arlee said...

HEE hee--i've often thought the same and at the same time wondered why my gig isn't as easy.......