I hear tell that's what you must do when you are in a funk. Of course there is the tried and true studio cleaning but screw that. I have been picking at that notion a little at a time since early January. Oh sure, there is some order, and surfaces have swum into view but nothing has gone up on my design wall in a long time.
Last night I went to the
Signature Shop Gallery in Buckhead, the heart of the "happening" part of Atlanta (depending on who you talk to, of course) to see new works by
Elizabeth Barton and
Juliarose Lofredo. The contrast between JL's simmering minimalism and EB's energetic textures and colors made for an interesting show. I wish I had remembered my camera but there's just nothing like seeing fiber art in person. Both of these artists use miles and miles of hand stitching in their work which just draws you in close and you had better clench your teeth or your jaw will hang open.There should be a sign up that says "NO DROOLING ON THE ART". The only fiber art classes I have ever take have been with Elizabeth Barton, a great teacher and charming lady with a dry wit and down to earth approach to art and things in general.
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(37.5 x 26.5)
I have never done any whole cloth work but I was inspired by the show to dig out a piece of cotton sateen from one of last years dye sessions. It came out so spectacular that I have never had the heart to hack into it. Now I have sandwiched it in preparation at my attempt at a stitching a wholecloth piece. My problem is this - I don't know what I want to do with the stitching. I have been absorbed with picking out the wonderful little accidental elements that come out of this type of dye technique like these:
My inclination is to use stitching to point these elements out and somehow relate them to one another. I plan on using cotton floss for the first time since I embroidered my bell bottoms so that's going to be interesting. I anticipate a lot of false starts. Oh well, I have been hungering for some hand work. Any opinions?