The bonus and the dropped card

 I was gathering stuff in preparation for the next dyefest. There was a yardstick on the freshly cleared sewing table so I thought I'd double-check on the measure of the hanks.

At some point, I decided that forty turns around one of my heavy, blue "holds a full can of Coke" glasses was the ten yards I'd been advertising. I used to do this part while I was on the clock at the whine mine. Keeping the count true is important so it's not the mindless task you might think.

 Turns out forty wraps equal *12 *yards, so bonus to the buyers and I'm not going to change the process. Twelve it is.

  I'm winging a tutorial in my head. Don't know what to tell you about these glasses. My left fist fits in one perfectly. I've had them forever and don't remember the source. They have the number 500 embossed on the bottom. I dropped one on my foot once. They are mighty. 

A word about this bit of devil skin. First, it was on the floor in the kitchen and went into my pocket. Then it was on the floor in my bedroom. Finally, I caught Camilla (the snake charmer) mauling it in the studio. I took it from her and washed off the dust and cat cooties. Now it's in the river basket waiting. 

More than once a persistent little rag has had something important to say given half a chance. Like a dropped Tarot card, it needs to be heard.

    

"Anna didn’t answer but picked up the Moon card again. “We’re blinded to danger by distraction and dreams. Up is down and blood looks black.” As she put the card back on the table, her sleeve brushed the deck and a card fell to the floor between their feet, face down. Reflexively, Violet reached to retrieve it, but Anna said sharply, “Don’t touch it. That will be the last. The dropped card must be heard.”

   She turned another card and spread her fingers wide, touching all three at once. “Damn. Seven of Cups. More temptations and distractions.” She reached down for the card on the floor and put it face-up on the table. Death on his white horse.

Violet hushed a hiss.

Eyes closed, head down, her voice soft, distant, Anna said, “Don’ you fear Death. Respect him. He walk among us every day, unseen. He about change, not endings. Change as sure as sunrise, fulla promise. He the one thing we can all count on. Change. Whatever was, is ‘bout to be something else.” 

(Prophets Tango~Dancing in the Dark)

"You mutha!"

 

Reposted here from FB. I forget that smart people don't waste nearly as much time in that particular swamp as I do. And I use to tease my mother about reading the Inquirer!  

What did I get for Mother's Day? Snake bit!

Camilla was laying in the street playing with a huge garter snake who was not impressed. I didn't want either of them run over by a car so I made a poor grab for the one that didn't run off when I shooed her. I foolishly forgot how fast they are and how very sharp and grabby their teeth are."

Such a sensationalist! It bled for two minutes, was a little stiff and swollen by evening, and gone the next morning. And yes, I'm sure there's been a tetanus shot at some point along the life. I have always been fascinated by the nope ropes and will handle one if necessary (like in a drawer in the kitchen) but the first time one bites you or takes a greasy shit on you, you'll remember your place is at least a yard away.

We are being vigilant about snakes. This little idiot wants to play with everything and we do have copperheads in this area. Colin saw a very large, black snake - not sure of its species yet - sunning on a fallen tree in the backyard. That is a good thing as those types tend to run off the bad ones. 

It's nice to be able to show off the deck garden this year without worrying about getting arrested. And I check around those pots for long visitors every time I go out there. The lavender is about to explode with blooms. My indigo seeds failed but I also buried some new peony roots in the same container. They are doing fine. 

On a sadder note, Sweetie clings to the small pleasures, like sleeping in the sun on the front walkway or back deck. Last night she did something that I've been worrying about. Anticipating. 

Just at dusk, she wasn't in any of her predictable resting spots. 

I found her in the front yard at the far edge of the wild island in a sphinx-like pose. Listening. Waiting.

She cannot run or defend herself. She is mostly blind. I fear she's going to take herself off to nature for her last hours, but the thought of losing her to the pain and violence of being taken by coyotes keeps me awake at night. I reach out in the darkness and find her fur. I hold my hand on her until I feel her breathing. Only then I can go back to sleep. 

Monday sets

Update - Nine new sets of threads added to the store. 

 There's an awful lot of room for technical failures this morning.

Planning and prepping for the next dye fest around the next back fix on Friday. 

I'm still looking for that Blue that has no name. Just one degree of cool, clear, and deep...not dark. 

Bossy Turquoise is not the right starting place. I have to visit the sources but relying on the screen samples has always been a crapshoot. 

Sometimes, I think I just imagined this color.

Shake 'em, baby.

 

On the road

 

This is the last leg of the trip, pulling into their road after an hour and fifteen minutes of mostly highway driving. The inclination to speed is always there, but the grace on a midday Friday is that there is too much traffic on the road and it rained on an off all the way. So, I just fall into line, hang back a bit, and just be semi-aware of what the other assholes are up to. Be the rock in the river. Let the music flow low. Don't get pulled over.

The writing/driving reflex is back in a big way. I struggled all week with a scene that was fully fleshed but seemed to have no purpose. "No legs" is the best way to describe it. I knew Jack and Daniel needed to interact and thought I knew how and why, but I was wrong. 

I wasn't on the road five minutes and the entire scene came together over a few missing elements and more importantly, its place in the story, the timing of the thing, was revealed. I pulled over and took a page of notes rather than let this one get away.

Who does this revealing and how does it happen? All I know is that, for me, the complex yet subliminal task of driving seems to clear a space for other ways of thinking through a problem. 

Resources, finite

 

I've been evicted from the stitching chair. No more just dropping in.

She knows I have different things to focus on for now and it's not the best place for using the big laptop.  I'm not shifting creative gears as easily as I used to. Whatever it is I'm working on, deserves my full attention.  The river basket and threadbox will wait without complaint.