Home Towns

Take a look at this list. Do you recognize your home town? (If you do, send me an email and say "Howdy") This is a very partial list of locations for people who have had the interest to stop by my blog or website for a few minutes and look at my work and read about my life. It just staggers me with hope and gratitude that so many people all over this planet can care about something as fleeting and inconsequential as the art-making of a middle aged lady in Old Dixie, America. It reminds me that all over this world, in hometowns everywhere, we all have the same big concerns about family, hopes for the future and desire for life on this fragile planet. We all breathe the air and drink the water. I give thanks.

Self-indulgence

These crocheted cotton mittens took one documentary on Stanley Kubrick, one of his early films "Paths to Glory" and "Shakespeare in Love" to complete. Not a bad way to spend a slow Sunday afternoon. I don't really know how to crochet beyond this one stitch so I just build with this one stitch right on my hand. I was happy they both turned out the same and can't wait for a frosty morning to try them out.

More new stuff and miscellany

Pamela's talk about non-representational work and the mere mention of Mark Rothko has caused me to drag out pieces of hand-dyed damask and hand painted cottons that I could never bring myself to cut into and use them in a large way. I recently came into a few acres of a really intense, black polyester blend that has found new life as base and backing fabric. Just gonna stare at it awhile and try to see how the stitching will help or hurt it. I'm having second thought about the center element. It's starting to look like a skirt.

This is me going away with Voodoo and Jinx who are not quite aware that the other is there or mayhem might have ensued.

And this is my little pagan family protection nest.

WWU3 or maybe not

#3 is in the early stages. I resisted coming out of the blue palette but Jim insisted and he was right, but I'm not happy with some of the shapes so after the "brutal wash" there will be some hacking. The mauve/gold/white pieces of fabric are a kind of cotton that you can no longer buy and take the dye in wonderful, fine grained marbled way that I could never reproduce in any other cloth. This was originally a sheet from my Aunt Jo & Uncle Chuck Morley's hunting lodge in Flint, Michigan so it is easily fifty years old. Two summers past, it became too fragile to continue as my favorite bedding so into the dyepot it went. I've been hoarding it ever since. The cut work came from an estate sale in Narragansett, RI.

WIPS

These two pieces have come together for me in ways that I have to call mystical. They are made from the hand dyed antique damasks and cutwork lace pieces that I have been collecting for a while now and based on that wonderful, cut-rate, ancient cotton muslin I scored at OHCO. In some place the holes in the fabric were just there from age and laundering. In other areas I used sandpaper and a rock to abrade the raw edges and thin places for tearing - cotton damask is rough stuff. This one (55"x40") finished with less painting than I first thought. The second piece has more stitching in it's future, some hand stitching and painting . They are both large, this oneis 57"x 42" , both too big to photograph inside the studio without picking up furniture in the frame but it's still dark out. After the top was constructed and hand basted, I put it through a rough, hot machine washing with some work clothes. When I went to build it, I found that I had exactly enough batting left, to the 1/4 inch. I didn't see those spooky eyes until after it came out of the dryer. Thinking about working on these pieces leaves me feeling vague and slightly possessed. I like it.