I spent most of my day off yesterday in bed trying to ward off a cold/the cold and working on this piece which is becoming quite compulsive.
Things going are are being revealed to me as I go. Can you tell that I watched "Elizabeth: The Golden Age" and was quite spellbound with the costumes and wigs, not to mention the intrigues and sea battles.
In a little while I have to report to the office for work evaluation and spend the day there interacting with live humans that I am not related to. I wonder if I remember how.
Friday, December 10, 2010
Thursday, December 09, 2010
Tuesday, December 07, 2010
Taken By the Night continued
Elizabeth Barton's recent post about avoiding cliches made me focus on why I have not been doing any hand work for a while now. She actually had me sketching faces on paper last night!
The word "twee" kept coming to mind (and gagging me) as I tried one small composition after the next, each time with some literal objective in mind. Finally, I went back to my established way of composing - gathering small bits of cloth that work well together, color and textures, and then stirring the two dimensional pot until a design emerges.
When something recognizable emerges, like figures, then I start to smell trouble. What is the story? How much to show? How much to leave in the wind? How far into cartoon do I want to dive.
At this point I have to rely on my admittedly limited stitch repertoire to define and refine. Faces are particularly deadly as they usually say too much. I prefer faces to be incongruous, contrary even, to what seems to be going on.
I don't want to to spell it out for the viewer.
Sometimes there are elements that have to be weeded out or brought into focus in an unexpected manner.
This piece continues to compel me.
The word "twee" kept coming to mind (and gagging me) as I tried one small composition after the next, each time with some literal objective in mind. Finally, I went back to my established way of composing - gathering small bits of cloth that work well together, color and textures, and then stirring the two dimensional pot until a design emerges.
When something recognizable emerges, like figures, then I start to smell trouble. What is the story? How much to show? How much to leave in the wind? How far into cartoon do I want to dive.
At this point I have to rely on my admittedly limited stitch repertoire to define and refine. Faces are particularly deadly as they usually say too much. I prefer faces to be incongruous, contrary even, to what seems to be going on.
I don't want to to spell it out for the viewer.
Sometimes there are elements that have to be weeded out or brought into focus in an unexpected manner.
This piece continues to compel me.
Sunday, December 05, 2010
sunday stitchin
Sweetie was annoyed that I abandoned our afternoon nap in favor of other things like bothering her with the camera and stitching in the afternoon sun for the scant hour and change that it comes through the bedroom slider on the back of the house. If I'm ready early enough I can catch the morning sun in the studio now that the leaves are mostly off the trees in the front of the house.
Saturday, December 04, 2010
sweater days
Brrrr. It's a sweater day in Georgia looking as if it could snow any minute. Spending this day chillin', stitching and watching old movies on the tiny TV. (and the occasional Lexulous move)
Later there will be home made pizza and
"The Town" on the big screen.
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