Karma 2

Karma II (20"x 24")

Just a quick and dirty snapshot - I shudder to think what the actual photo sessions are going to be like with this lot and I'm not totally convinced of the orientation of this one just yet, worked in the round as it was.

 I put the last delicious stitches in the pink just as Lady Mary came down the stairs in her so chic bridal gown. I explained to my son that in the twenties women didn't go out and buy breasts. Two hours of the new season of "Downton Abbey" put cream cheese frosting on a busy studio weekend. And now, right on it's heels, one of my Mum's favorite movie "An Affair to Remember". I'll be asleep before the weeping begins; I recall this movie was about an hour longer than it needed to be.

#3 is on the design wall now, chock full of pins and standing buy for about four hours of machine stitching tomorrow. I'd really like to wrap this series up before I head up to NY mid-month.

the details

I have four pieces in this series in varying stages of  "almost finished" and I don't want to get sidetracked and  let them languish.

This one has been backed and blocked and I'll spend some time anchoring the layers with (invisible) hand stitching for stability. I'm already thinking "bigger" and will be scouting around for more black and white clothing to recycle.

fiber apostasy

I felt the need for some retail therapy yesterday. I got some nifty gift cards for Christmas and have waited to pair them up with some 50% coupons. At Michael's I  scored a long coveted set of Derwent Inktense blocks and busied my self seeing just how 'tense the ink was. I opted for the blocks instead of the pencils -why pay for wood?

They are pretty blazing amazing on paper but not worth wasting on cloth..I've dyes for that. Can you tell by the rainbow riot that I'm a little parched for color so deep in the B&W series? I feel a tattoo coming on.

inktense on muslin

questions from left field

The strangest things will come in dreams.

I had a dream that I was looking at a painting - it was a very large, old oil landscape, something like a Frederic Church spectacle - quickly, the painting morphed into an intricately worked leather belt and, when I looked again,  a bracelet of layered silver links and then, a very large watercolor seething with flowers.

Then I realized that I was looking at these things from the perspective of a person who had no concept of "making" anything - a pure consumer of end products made by others, the mysterious Makers.

It was the oddest feeling; an off-putting incompetence with a dash of defensive arrogance. I thought of a TV show where a crystal skull was being examined and it's provenance could not be explained so it was attributed to aliens. It was a little scary. Who are the Makers? What was their objective in creating these things?

My Maker guise quickly stepped up and took back control of the dream and I was left with questions.

Who are the non-makers and what do they think of Art? What does Art matter to them. Are they another tribe altogether? When does resentment fade and wonder take over?  Do they ever get over being on the outside looking in? I have to ask around outside of this space since I know 99% of my readers are Makers of some sort.

2013

"Starwatcher"  by Moebius

"The start of a new year can be like opening a magnificent gift"
 Thomas Haller Buchanan