a flourish of progress

Stabbing myself with pins while laughing at "Two & Half Men" has become part of my routine. I'd like to say I'm going up to the studio to spend some time with this but truth is, the job got to me today and I am just plain tired and I don't want to make any commitments with needle and thread that I'll regret come Saturday. Instead of nattering about the job, I will tip my reading list to the late John Updike, rave about Slum Dog Millionaire (OH! the Textiles!) and the latest issue of American Style Magazine (featuring one of my favorite artists, Eleanor McCain) - in my mailbox 'cause I'm a 9/10ths member of SAQA. Long story for another time.

works in progress

I've been fascinated with Tricia McKellar's "Flourish" series and noticed akinship shapewise with a new piece I started last month. Tricia has generously granted permission for me to interpret her work in my medium. Yesterday, I isolated the stitched shapes with soy wax and got it into a dyebath. I wanted a neutral gray but, as any attempt at black in whatever concentration, you get what you get. In this case a rather nice dusty lavender that will work well in the long run. From here there will be much applique and dimensional work, both hand and machine stitching. Given my new schedule, some real slow cloth in the works. And finally, I finished the last of this set for another summer garden quilt. I think the border/edge on this one will be a series of overlapping leaves. That should take me through April or May.

Personal Archaeology

I started digging out our walk-in closet today. You can put an awful lot of crap in one of those construction weight black plastic bags, but then you have to lift it up. I was appalled to find that much of the clothing I was getting rid of would be rejected by Goodwill. I made the mistake of going through an old art portfolio that I have been dragging from closet to closet for some forty years. A lot more crap went into the bag. Why do we keep some things? Seems as if creatures real and imagined, dark views and riotous colors have always been part of my art heart. This was our cat Moses. Probably the only time I've ever been able to capture a real likeness.

The Wheel of Life

It turns for us all.

No, I have not "run oft" with pirates. I have lately been consumed with the logistics of returning to the rat race. I couldn't do it without the love and support of my family.

So far it's a day-long proposition but if and when I get past the training period I will have some time for the studio again.

In the meantime, I put myself to sleep at night putting the finishing touches on a few of the summer quilts and making notes and sketches for future projects.

I've reinstituted my practice of turning a Tarot card while sitting at a light in traffic. This morning - the Queen of Cups.

I have been both chastened and enlightened.

Wild Baby Blue Launching Pad

Between setting up electronic banking stuff, general correspondence and the usual ether-wandering I feel like I've spent the better part of the day on the computer. It's stuff I won't have the idle time to do starting tomorrow. I'm really looking forward to starting the new gig. Feels like the first day of school. I'll still find the time to do as much as moves me in the studio only it will be as the schedule says I can. Maybe I'll be more productive with someone else setting up the whens. I finished this little quilt off last night and gave it a good thrash in the washer and dryer just to make sure it's fit for public opinion. It is. An heirloom in waiting, I've just posted it over at my Etsy place just to see what sort of traffic it brings. I've let that little cyber shop languish a long time. There are detail shots and lots of marketing babble over there too.