lost 24hrs

I've finally taken the step of working beyond the mounted fabric. All that white space around the piece just won't do sometimes - especially when the standard sized canvas is not really right for the piece.  OMG, it's almost a painting.

Doing this made me very anxious - that old "artist faces blank canvas fever" came back like malaria. Then I reminded myself of the gallon of gesso I have languishing under the work table. There are do-overs aplenty in that can.


I did a little stitching on the current WIP last night but I was afraid to go too much further as I was still feeling pretty pointy headed and didn't want any blood on the design.

Yesterday (my day off) was lost to me. Tuesday night around midnight I took a new pill that's supposed to help my back pain and NOT render me deaf. Instead, I was a drooling idiot for most of my waking hours yesterday.

Jim and Colin had great fun mocking my stoned self and I will have have to revisit that tutorial, written heavily under the influence as it was. I know spell checker had a merry time of it. Wordy as hell for  a tutorial. Still, I had been thinking about what I wanted to say for some time so the thoughts were there just needing to be rounded up like so many rabid rabbits by the rancher with cotton candy for brains.

mummy making

As promised, here's my tutorial on making fiber mummies or fiber fossils.
I can't decide which name I like better.

Please read the whole thing through before you dive in and email me if you have any questions.

finishing

"Old Comfort" is mounted and I'm pleased that  none of the bright whites lost their pop.

I took a whole series of photos around this one and the process and will get them published with commentary when I get an hour or so. (click for closeup)








                                            

                                                       I've started work on mounting "Candyland"

which will really benefit from the darkening that comes with this process. It was a pastel disappointment but you can see by the red that it's going to be a color riot. Now if I can just work up the courage to paint in the margins - extend the design beyond the fiber.

Hare & Tortoise

Jude described me in her sidebar as "fast but slow.." Flattered to be mentioned at all,  I wasn't sure I understood it until I spent the entire evening stitching a two square inch area on this only to pick it all out.

I trample all over myself to lay the groundwork, the broad strokes and then revel in the long, drawn out process of modifying that groundwork with the stitch. There's my Slow Cloth philosophy.

If I were in prison I would have no trouble tunneling out with a teaspoon. I have told clients, when they inquire how long it will take to make a report over the phone, "Together, we will be moving a mountain with a teaspoon. One teaspoon at a time and suddenly, the mountain is gone."




Kate of the brilliant Needled is chronicling her way back from a stroke and gave me another shift of vision on fast & slow. Isn't her Hare magnificent?

revision

When I unfurled yesterdays start today I wondered who put acid in the yogurt so I dismembered and cannibalized it right down to the dirt.

One false start after another finally got me to this place by about 10pm.  Now it's working for me and basting is under way.

I really loved that "storm cloud" commercial batik that I wrapped around it yesterday but it was just too busy  and had to go back in the stash for another day.