wicked commerce

Sat down at big J this morning to get this top wrapped up into what I call a Kindergarten quilt..bigger than a baby blanket, smaller than a twin.  It was pure fun to free piece the top which has both commercial and hand dyed cottons, no vintage in this one. It's backed with a wonderful commercial print of dancing blue waters and I used one of the IKEA fleece as batting.

The design is a little wonky - at the last minute I wanted some length and added on that keyboard looking business, kinda like a counterpane (she tells herself). Waste nothing!

For about thirty seconds I thought about hand quilting it...then I remembered who I am making these for and why. These quilts have to take the licking, get washed, dried, and keep on kicking - and they do just that when I machine quilt them! I'll post this one for sale in the store for a while and then off it will go to NY when I get the word that the venue is back up and running after Sandy.

the (better) lost week

I know it's the worst kind of sin to wish away ones  days but this week has been so hard on everyone in so many ways.

 I would shout TGIF from the rooftops except that I have to work this weekend but just reminded myself that the weekend clients can be quite entertaining and I can further amuse myself by practicing my Downton Abbey accent on them with an effort to pare down the snobbery case by case. Yeah, I watched a few episodes and I'm hooked hard.

I have busied myself with this little gem of a crib quilt constructed from a tiny fraction of the commercial batik fat quarters I was recently blessed with. So much cloth! So little time!  There's a little more machine quilting to go here and then into the washer and dryer with it to get the full effect of how it will be when it's gifted away.

On the shopkeeper front, it's restocking time.

I've packed up half a dozen baggies with very small pieces culled from this huge pile of hand dyed treasures. Read more about Bites over at Random Acts of Dyeness.

developing the pollock

I really have to start calling this something  else. As I work on it, I'm realizing that all my stitch and thread choices are about construction - the stitches are smaller and smaller and the color of the thread blends in with the fabric. All the big white lines of basting are slowing being removed.


The shapes, color and placement of all the elements are what matters here - I could be gluing them on, or painting them on for that matter, but I am staying with stitching for my own satisfaction.


The pace slows me down, forces me to consider and reconsider and, if something is not right, it's not a huge pain to clip the thread on the backside and snatch it out so the wayward scrap can be relocated or replaced. Slow going on purpose.

election day

After a sleepless night and a busy morning, all I felt like doing was mixing up these jewels and starting another pieced top.

We went out in the cold and rain and voted. Now it's nap and wait and see.

last of the trio

This is the third of my QN entries. "Los Dados Encantada" was inspired in part by Grace's black and white kids .

The ground pieces for this one (dyed and discharged vintage sackcloth, damask and sheeting)  have been "in waiting" for some time. Once I paired them with the high energy of the graphic pieces, the whole thing fell into place within 24 hours and is entirely machine stitched and finished out at 59x34 inches.

Despite the simplicity of the graphics, there's a lot going on when you come in for a closer inspection. This is another line that I will following in the months to come.

detail from Los Dados Encantada