down and dirty

Flipping this one to the four points of the wind before I nail it down with a name.

It's good to take part in the conversation about making art again. Jude speaking on design here.

Art you can see and touch.

If I don't spend all my time on one or the other, I may actually make some progress.

Also, there is a way-crossing of stitching and writing in my future. A natural path for me. The fabric of Fiction.

Charlie Monday

and a chunk of yesterday too. Spending time with him takes my mind off everything else (like it or not). Sunday he was dragging me into my kitchen every twenty minutes seeing what else I would come up with for him to eat. Today, at his house, all he would eat was applesauce.




On other fronts,  posts about QN17 have started surfacing. No surprise that I haven't found any pictures of the winners, but splashed across the front page of the QN website was the very interesting announcement that artists are no longer restricted from sharing their ongoing work on the web or social media.

It's almost enough to make one think about goals.

that moonlight through the pines

The moon was just about to set when it blazed through the window and woke me saying,
"Quick! Find that damn camera, the one with the night landscape setting!"

A talking moon the least strange aspect of last night.

A night full of carnival ride dreams, cross-country horse chases under artillery fire and ocean crossings.


Woke up exhausted, but exhilarated.

refocus

Thread by thread (and there were a lot of them) I snipped this scrap away from the whole once I realized that I was letting stitch dominate the conversation so rigidly. I repositioned it and basted it back into place with a constellation of long, gentle stitches. It's not going to hold up to a lot of handling so I'll attend to it soon.

That done, I moved to another place in the conversation and stitched it secure as invisibly as I could, the object being to let the shapes, colors, textures and overall design speak first. After all, those things pleased my eye first.

The vernacular of stitch will be last and more like song than spoken (printed) word. I hope. I have a tendency to overwork stuff.

there really are stitches all over this.

All the while I worked this blueish piece I was thinking about this call for entry.

A friend pointed out that my "voice" might serve that purpose, but in the big scope of an exhibit like this, imagery is going to be key and I have rarely worked in representational fashion. There are so many who do it so well.

The last time for me was also political. The piece was amateurish, thrown together as it was, to make a deadline. It was something I felt strongly about. The beginnings of something very good. A great time for our nation. Things have changed. Strong, passionate and daring voices are called for.

My textile work leaves it to the viewer and I don't see forcing a change to be fruitful in time or resonance. I remind myself over and over that every OTHER person I pass in the street (well, maybe not that many, based on where I live) feels as I do. There is still..

This piece can be seen hanging over the doorway to the meditation/classroom/gallery at the  Phoenix & Dragon Bookstore in Roswell, GA.

old habits get in the way

My stitching is too tight, too studied. Formulaic. I need to stitch drunk, maybe..

It's too soon to be this specific, this defined. Here's to the joy of picking out hasty stitching.

On a happier front, a brief raw materials hunt today yielded a couple acres of the most incredible cloth I've come across in a long time. Winter white sheets with a density and hand that comes close to chambray. Can't wait to see how this stuff takes up with the dye. It's going to be my '17 debut cloth.  There was no makers label,  only this: