shortages

It's a good thing I'm not a purist. I don't have enough of any one color for this project, so I'll be sneaking back into the inventory.


When I take my first dibs from a dye fest, I only take one of a particular colorway. Next time around, I'm going to be a little more greedy.

Planning on some purple-gold-brown, gray-gold-blue and other threeway sets soon.

Anyone have any suggestions or requests?

ps..I named this image for the cursing I was doing as I came to the end of a thread and had one more letter to do with that color. 

...my field of fvcks

Just what I need. A little diversion.

I love the imprecision of the original lettering. You can bet I'm going to do my best to duplicate it.

Dirty thread is perfect for the job even though I'll have to improvise, colorwise.

Revisions flies

This is the orientation the new owner decided on. I like leaving that choice up to the buyer.

And so, I created and affixed my maker's mark, something that I haven't bothered with since the second baby quilt. Somehow, this one called for it.

Right up until this second, I had the horrors that I'd spelled something wrong. Leaving off the date was deliberate.

A little note about the backing cloth.

'99? At the OHCO fabric warehouse, a man driving a bobcat with a snowplow attached was pushing piles of fabric around on the concrete floor. A length of this was trailing from under the pile. I grabbed it up before the tracks could damage it. Five or six yards of sixty-inch jacquard weave of unknown content or provenance. It's grand stuff.

Here I am all patting myself on the back for finishing, but I forgot to find out whether or not she wants a sleeve for hanging. Doh!

Wet work

 I think I do my best work in the pool. Really, what's the worst that could happen? There's cloth and water.

And no shortage of Good Help.

I made this post with my phone and could hardly see what I was doing it was so bright out there. I need one of those little hats with an umbrella attached.

This is the first time that I've used my own Dirty Thread to do text and I'm tickled at how the color transitions worked out for this size text.

Liz works so much smaller than I do.

I split the six-ply in half, then I double the three strands. I guess you'd call this a split chain.

To give lines clear definition, I usually wrap chains with two or three strands of the same thread, but not this time. Don't want to interfere with the shading on the letters.

spongey

I keep looking at it wondering why I can't see the end of it.

Since when have I ever worked that way?

What's making me try?

It's really early.
I know better, so, pins and basting only.

No more nailing stuff down when it's in this cloudy state. It's hard on the cloth and hard on my patience.