Saturday, August 29, 2009

Summer fading fast



Every time I get to spend a little time in the pool these days I feel like I'm saying goodbye to a friend who is going away for a long stay elsewhere.

Each day it takes more time get ahead of falling leaves and storm debris. Still, I'll be going in until it's too cold for penguins. 

Then we let the leaves fall and stay and the pool becomes a pond again. This year I may get some guppies to keep the frogs company.

Thursday, August 27, 2009

small moves

I bought a yard of 2 sided fusible a while back and knew this day was coming. My scrap baskets are full to overflowing, the cards are all cut out and now all I have to do is please myself one 4"x6" space at a time. These are all headed to market..and speaking of which. Does anyone know just what the market will bear, price-wise,for mailable fiber art postcards these days? I am without a clue, all input gratefully considered.

Wednesday, August 26, 2009

a blankie

Another satisfied customer. This young lady chose the fabrics she wanted - all I did was bring them together.

Saturday, August 22, 2009

spoobit spawning

As usual, the hand stitching doesn't add a thing design-wise, from a few steps back . Up close and personal (once drawn in) I'm still liking it and will add some more. There will be some painting to address value issues and quite down the chaos a notch but for now, it's on the design wall where I can spend some time eyeballing it while I put together a couple of flings.

Thursday, August 20, 2009

link love and unrealized visions

It's not every day that a surface designer (gasp! is that what I've been doing?) gets highlighted in three separate places. Humble thanks to the artists who have showcased my work in words and pictures...it's so gratifying to see what someone else makes of my groundwork. That's one of my damasks wrapping around Jude's "Redefining Growth". Arlee Barr continues to work magic with my fabrics and Mendofleur is about to. Lorraine Glessner keeps popping amazing new work into my sight line. I keep coming back to Joshua Brehse paintings and thinking about middle eastern calligraphy. Ever thoughtful Elizabeth Barton has been posting about The Preparatory Sketch (or not ) and the Seduction of the Surface. Both topics are brain worms for me at this fallow moment. Although there is work at hand, these little things are mere wishes, sketches I suppose. Pieces have been coming to me as a vision or dreams and I am so reluctant to even sketch them out. It's as if once committed to paper, the magic evaporates and I'm not even inspired to lift the scissors. The two small things I am working on right now have spawned enormous daydream pieces but I know that the scale of all the fabrics I have been creating just won't translate to ten-pace pieces, the things you have to view from across the room, the ultimate limitation of the seduction of surface that EB talks about so eloquently. I can't speak for what drives others to work at surface design. I certainly don't do it with the intent of building a pallette to work from. I've learned that lesson but I am deeply grateful the other artists who find my efforts to be a jumping off place for their own dreams and visions.