Friday Eye Candy

I'm going to treat myself to some extended time in the studio this weekend. Time to reorder my priorities in here; take a hard look at things in progress, acknowledging failures and move on.  There's a trend going on that I want to encourage and I want to get some new pieces and raw materials into the shop.

In lieu of getting falling down Friday drunk, here's some fun stuff that's taking up about a cubic yard in the closet. I was thinking of leaving them in public places and taking pictures of people's reactions but I am fairly sure that some citizen will call the bomb squad and my 3D Uninformed Innards will be blown to smithereens by  a swat team robot and then I would be arrested for littering as the polyester stuffing creates a snowstorm.  Most of these are twice as big as an industrial meatloaf, quite the threat!   Any suggestions?

larger things calling

I set aside the current WIP for a rest and pulled this monster from the UFO pile this morning and started the hand stitching. Still wondering if and how it will make any impact on such a large piece. One stitch at a time I guess.


Put in another couple hours of Hard Labor this morning trying to get the pool cleaned. Life, death and circumstances have thrown the pool schedule way off.

The eight inches of sludge in the bottom of the pool was so inhospitably nasty that the frogs wouldn't even lay their eggs in it. They all went next door to the neighbor's pool so there's no need for a big tadpole rescue this year.

starting places

I spent some time stitching this morning; the sun is breaking through the heavy cloud cover from yesterday that was just plain depressing. A serious change of pace is in order so I'm off to attend to a long overdue outside chore. Pictures when it's gorgeous again. ..

A note on my design process - it always starts with color. the shapes are already there, the hacked remains from other projects jumbled together in the big scrap basket.

 I settle on three to five major elements, a base, and then spent a good bit of time shuffling the shapes around until I'm happy with how they are relating to one another.

 I rarely trim the pieces, more often rip, fold or turn the shapes as needed. I try to work from all four points of the compass to make sure that the design is working well.

Many people, myself included, "find" creatures in my work. I can't deny that they turn up but feel the need to let people know that "representing" is not my starting place.
 
No need to delve into the why of it all. There they are, even if I change the original orientation of the work. I'm just happy that people look long enough to find something that intrigues them.

vicarious fun

Jake & Missy are in NYC all week as genuine tourists.
 I saw them yesterday on a live webcam from Times Square! I hear there will be Sabrett's hotdogs for lunch!

Time to start planning my own trip!

and time now to stop stitching  now and do larger, standing up things...

b&w tribute

It's much too soon but eventually I will challenge heart and soul to work in black and white.

Karma was an endlessly fascinating photographic subject. Her rich lack of colors on both ends of the spectrum, the length of her silky coat and flexible laziness made it appear that her markings actually changed from day to day. Some kind of cat magic.

Some days she appeared more white than black, other days, the other way around.

I don't think I have cloth black enough.