the Auction

I'm happy to report that my silent auction worked well.

"Solstice Eve, 2013" has a new owner!

I have to admit that I really didn't think the whole thing through beyond the few instructions laid out in the original post.

The odd starting price was to encourage equally odd bids on the crazy chance that two people might make the same offer.


My objective is to clear my studio of all these recent pieces. I need a clean artistic slate and plan on similar auctions in the future. In this age of self-representation I'm going to find new ways of using technology to get pieces out of storage and  into someone else's world at a price that works for everyone.

I have to admit that when I hit "post" that day,  the girl I used to be worried about  how she would feel if no one bid on it. The person I have become was quick to remind her that this kind of worry was a waste of emotional energy and time.

 (advice: don't check the email until just before the deadline!)

There were a handful of bids, two international. Congratulations to the winner!
One thing I know for a fact- as great as digital  pictures of  fiber art can appear on the web..nothing compares to holding the real thing in your hands and seeing it in person.

So, which piece should I put up for next auction? Do you have a favorite from the main gallery? Or something from the mists of the blog. If it's not on the Buy Art page, describe it to me and I will try to dig it out. I won't do it right away but if I know people are interested in specific pieces I will take new pictures and post them here.

What are your thoughts about buying and selling art this way? Will you try it for yourself? Do you have any suggestions to make the auction process easier, more efficient?

Nothing like a big juicy can of worms for breakfast, eh?

The Lives They Loved

I posted this elsewhere but will make it my last here in 2013

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The Lives They Loved

The NY Sunday Times magazine runs a feature at the end of each year called "The Lives They Loved". If you go there prepare to lose a lot of time and be deeply moved.

 I don't know if my submittal made the cut, they must receive thousands, but here is what I sent. It was very hard to keep it to the two hundred word limit.

"Jimmy made me laugh and I'm a tough comedy customer.

From the first day we met his mission was to make me happy, to hear me laugh. He wasn't a joke teller – it was all lightning wit and the gift of knowing just which funny bone to tickle. He would whisper something bawdy in my ear just to see me pretend to be a prude all the while peeing myself with laughter.

People were always glad to see or hear from him because they knew that at some point in the conversation there would be genuine laughter. He was a construction superintendent, the guy

 who is caught between management and labor and he always took pride in his ability to bring everyone around to his way of seeing and doing things. I think they wanted to share in his boundless sense of fun and good humor.

He was a wonderful father to our sons Colin and Jake and I'm so glad that he passed on his amazing gift of laughter to them both. Now, whenever I really laugh at something I hear his

 booming laughter in my heart I'm sure that he sent that moment my way with his love."  

Karma VI

Changed my mind about hard mounting this one mostly because I couldn't find the right sized canvas. It's faced and signed and ready to go.
details here.




"Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.” 

― David Mitchell, Cloud Atlas

Solstice Eve, 2013

Solstice Eve 2012

Hand appliqued and embroidered vintage hand dyed cloth, 14"x20", faced and signed, ready for framing.

 I will be taking silent bids via email (deborah@lacativa.com) until midnight on New Years Eve.

Please put SE BID in the subject line.

The opening bid is $86.47  US. Shipping included.

being bothered

While I was looking for something to face this with I was bothered by something about it and took it back to the sewing chair to study.

 I don't consciously compose my work, I generally select scraps of cloth and just move them around relative to one another until I like what I see.  People find things in my work that I never intended and that's ok.  Early on, I did acknowledge the figure front and center. What bothered me was that it was a solitary figure so I brought some other beings into play.

Much is written about the healing power of making art. I don't know about making any healing art myself but I've recently been given a piece of art that makes me smile every time I look at it.  I think you are really onto something here Bamboota.