in writing

Thanks for all the wonderful points of view regarding the use of written dialogue stitched into art. It's good to know what other people think both about doing it and seeing it. For now I have decided against any messages or even letter forms.

 

I find that when I begin using letter forms I can't help but want to convey something snarky or entertaining. In fact, I find that when I work literally or do something representational you can pretty much bet on something weird, shocking or downright wrong going on. You'll laugh too if you don't run out of the room.

the Wheel

Just came from Gerdiary and it's fun to see someone who seems to be rolling along the same art rails with me at this point in time.  Using whatever is at hand to make some kind of sense of things with needle, thread and a stretch of quiet time.

The ground for this one is a piece of what I think is linen but I could be wrong. Maybe I'll snatch a thread off it and set it on fire, see what happens.

Here's a closer look

I have been thinking about the pros and cons of stitching words into this piece - all that white space is nagging me to do something about it but I'm resisting the urge for the same reasons that I don't like to write artist statements about a specific piece. I don't want to tell people what to think and don't think my own thoughts should be relevant to the observer's experience. I'd love to hear from other artists who use the stitched words in their work. It seems to be a very sharp two-edged sword.

the Wheel turns

I brought a new base to work with me only to discover that I forgot to bring any scraps to compose with so I started pulling raggedy chunks off my Go Bag. I've been dragging it around for a couple of years now and it's getting pretty seedy. There were fluttery little things hanging all off of it. Now they are being incorporated into a new hand stitched piece loosely based on the  Wheel of Fortune tarot card 

Thanks for all the lovely comments about the pieces in the previous post. This one was part of a short lived creature frenzy that I went through late in 2008 
back when I had more free time. All of these were done on the machine in a very fast, improvisational manner. Right now, the studio is a kind of sad place for me - I don't spend all that much time there. Just digging through piles of things as I look for materials to take with me on the go. The Wheel will turn.

Morning Light

I love the way stitched pieces look in the morning light that comes through my studio. Unfortunately, the tree shadows prevent any good photographs and at this time of the year the light is too...steep. I'll try again later out on the deck.








This one continues to entertain me while I am at work but probably not tonight. It's Friday, the 13th. You would be surprised to know how self-fulfilling superstitions can be. Years ago I was a telephone operator and felt certain that there should have been combat pay added to our checks for getting through a full moon Friday night or Friday on any 13th.

There has been no news about Jinx