luxury

When I got up this morning I discovered that the Head Chef had turned his kitchen fairy loose in the night and my one big chore for today had been handled for me. Molte grazie amore mio .

I took the great luxury of starting the basting on this piece with only one or two changes along the way. As the stitches replace the horde of pins it begins to feel like cloth again and not a clanking torture device determined to slash me full of holes. I am happy with the layout now  but the colors are feeling very fruity so the next layers will be all about moderating the first go round of color choices. Looking at it closely, not in a fugue state with eyes all crossed and crazy, I know there is going to be arguments about the stitching...what thread? how loud?  all those variables.

bonbons

We continue to be satisfied working in this effortless manner. Some much like eating expensive chocolate truffles..but so much better for me.



There is a message in here somewhere.


 
PS... thanks Mimi..this is not even finished and someone submitted it to
CraftGossip but they cropped out my assistant!

Persistence in method and material

This is "Skin Keeps Us In" from 2006 and at the bottom, one of my "Ornamental Innards" a foray into soft 3D also in '06.

I've decided to call this compositional process "cat herding" for obvious reasons. Comes as no surprise to me that it's a place I like to go - organizing a group of small and not necessarily compatible elements.

We spend a lot of energy in this household doing just that. Who's in, who's out, who ate or not, who's fighting - and that's only a herd of 3.

Both of these pieces have a lot of a large damask tablecloth that I ripped into quarters and dyed.  I can't recall the larger motifs but the tiny dots woven into the cloth are everywhere in my work.

That little patch of blue on the piece I'm working on now came from that tablecloth and "As Yet Unbaptized" has some of it too.

There is almost nothing left of it.