leaving well enough alone

"Jellies Matriculating" 2008 12"x12" Hand dyed silks, cotton damasks and flannels machine stitched with silk, cotton and rayon threads.

in the morning, it's all potential

The morning sun gets into my studio first thing. Everything is dazzled with potential. Strewing stuff around is enough to get things perking. As fabric and ideas fall into place, it's time to nail things down and the work starts to bristle and balk. The background for this piece started out a dark grey, then I transferred it all over to a piece of plain muslin. Still no satisfaction. More rummaging in the stash for the stage. Because the color and energy of the elements of this piece it became clear that the background was going to have to step up and have something to say also. More stitching is on the agenda but "Jellies Matriculating" is solving it's own riddle nicely as I go along for the ride.

brewing

Here I am with a pile of potential art in front of me and, for the moment, it's just too much. I should probably put 90% of it back in the bag but that leaves which 10%? When I first started to use crayons I always had to use every single color in the box every time I colored. Something about not wanting to let anyone feel left out (or they would get out of the box at night and Get me while I was sleeping. Another reason I never slept much as a child) I also got sucked back into 4"x6" postcard country yesterday thinking I could whip up some holiday cards while here at work but what normally took me 15 minutes on my machine at home took over an hour on an unfamiliar machine who did not much care for silk. update - it never fails. Set me parameters and I start grinding my gears. I made a 14 inch square design boundary to complete a fifth piece for the show and how those fences are chafing!

Gonzo Glass

Since I've gotten nothing exciting in the works at the moment, take a look at what my buddy Jan Thompson has been up to.

A while back she abandoned fiberworld for the Hot Glass Darkside and has become a total convert to glass bead making. Check out her work here.

One day soon I expect she will pull up to my house with a large dumptruck full of her fabric and make a deposit on my front lawn so she can move her glass studio out of her cold basement into her cobweb strung former sewing room!

more creature gestures

I've been researching and documenting (in my mind) gestures for years. Fancy myself pretty adept at reading body language which gets pretty interesting when there's no body. "Waltzing Asses" takes shape and when it's done I'm going to do a step-by-step of securing this one to a stretched canvas. I won't call it a tutorial because that seems to indicate I know what I am doing. That remains to be seen. When I started this piece I made the base sandwich about 15 inches square and basted a 12"x12" boundary inside to contain the design elements.

As you can see by the overlay of my trusty 12x12 studio assistant, I came pretty close to staying "in bounds" so there will be a little design dribbling off the sides of the canvas once this one gets stretched.

Charming, ain't he? He looks like my brother-in-law the Hunyak.