Dogpaddling & SlowCloth

This little duck pillow is finished. I'm not thrilled with the way the velcro closure looks so once I find the right herbal stuffing for it (just fluff inside for now) I'm going to remove the velcro and sew it shut. The way it is, it feels like a hiding place for valuables instead of something small to be cherished for it's own sake. I'm not sure this whole "slow cloth" thing is for me. At this moment in my life, too much contemplation seems to lead to sadness which is probably why I'll spend the day folding laundry and any other mindless tasks I find. Try to be useful. Then again, it's that time of the year to make decisions about what pieces to enter into all the various venues out there that are just warming up. So there is paperwork to be considered and, once it warms up, photos to be taken. Thanks to all the folks who make this information public. Thanks Pam, for this one and Mary Macbride for this one. Sewing sleeves onto interesting backsides is necessary and productive.

Strange sights & freebies

I drive past this doorway each morning on the way to my office. It never fails to give pause. I think about where it came from, what it's life was like, it's death and why. On a lighter note, a recycling one, I was given a huge batch of what appear to be poly carpet samples but (for once) presented in a way that some fiber artist somewhere could possible make use of them. Here's a link to an overview of the whole batch. If you want any, send me an email. All I want is a flat rate prepaid postage envelope. I could probably stuff 20 into one of those. First come, first served and I'll try to accommodate color requests but as you can see, carpet colors are generally on the neutral side. I pulled that strand loose from one of the bundles and it measures 8".

Appliance Demise

How's this for a fresh face. It was taken on the day I interviewed at the School of Visual Arts. The felt hat was screaming yellow and the rayon paisly print dress a riot of turquoise, pink, lime and yellow. Hey, it was 1967! That gets me to the hair. I had not yet given up on fashion and my naturally bushy hair required major taming to be picture ready. I didn't iron my hair like some (terrified of that burning stink) but I did sleep sitting up with it wound around orange juice cans. Tomato paste cans were just too small. One year down the road fashion would find me in a do-rag, torn jeans, theatrical eye makeup and army surplus fatigues. Very early grunge. A few years before this picture was taken my Mom gave me this set of electric curlers for Christmas. I loved the speed of the dramatic change they could bring but if I didn't get them out of my hair at just the right time (more often than not) I wound up with a head full of banana curls that any Victorian doll would kill for, which would stay bouncing around my head until I washed them out. After all these years of faithful service, this great little appliance kicked the bucket on New Years Eve just as I was getting ready to go out. I had left my goat-chewed looking hairdo until last minute, counting on them as usual for a bit of glam, but when I plugged them in this time, instead of the tick-tick-tick of the heat rising, they sat cold and silent. I'm sad. 40+ years of hair doing. Model KF-20 I salute you! I think I'll send the Clairol folks a note....

Innocent Bystanders

Crap - I missed the best outside light of the day by about two hours. I forgot about them damn trees making shadows. I'll have to try again tomorrow or shoot inside. ::in response::: Gabrielle- "painterly". Exactly! Owing to the theme of this series (the world without us) I no longer have to remind myself why I'm working with fabric instead of paint and canvas. Everything here is recycled or scrounged - antique cotton damasks, lawn, sheeting - all salvage of one sort or another. Even the black industrial polyblend in the background was a dumpster rescue donated by a friend. If it was just the imagery I was after, I'd be taking photographs. I need the texture, the feely-ness of fiber to convey the personal nature of this issue. At the same time I continue to struggle to find expanses of color and texture that meet my need for large scale. This one is 62"x42". Thanks for feeling it Karen. This is the third in a series that started with the two big blue pieces back about two months ago. They are all concerned with global warming. In this one you see the bird above, plant life in the center and a fish below. The first two pieces were a more generalized comment on what the planet is experiencing, feeling if you will, at the hands of human selfishness. This one and subsequent pieces will look more closely at the effects of global warming on the innocent bystanders.

Mandala

It's a day for finishing things. I couldn't get any of the usual suspects to pose on this (I think they are waiting for a nice juicy hurk to come on first) to show some scale but it's nearly 4 feet across and has to weigh 15 pounds. (Click on the picture for the full effect) I love this because I can account for each piece of fabric that has gone into it. For instance, that tortoise-shell looking ring halfway from the center used to be a beautiful batik scarf that my sister Kitty gave me years ago. Sorry Kit, it had an unfortunate accident in the laundry - I saved the beaded fringe for another project though! The very dark rings at the outer edges are two pieces that dyed puke-y looking and then over-dyed too fabulous to hack into until now. That hot rose eye? - one of my earliest overdoses of fuschia. I have a show in mind for this one, believe or not! Crocheting this thing has prepared me for a second career as a strangler, but now to rest my weary paws and get busy finishing the Black Duck even though the saintly agenda says I'm supposed to be sewing on sleeves for my "Visions" entries, as yet un-photographed. Yawn. DEADLINE FOR RECEIPT OF ENTRIES - JANUARY 12TH - seems like a lifetime away. At least I've confirmed that I'm still a member.

New Year's Out!

For the first time in about 30 years (we put our heads together to confirm this) Jim and I went out on New Year's Eve. It wouldn't have happened except for the fact that Jim's most favorite band, Poco, was playing at a local eatery. The cover charge was steep which guaranteed a house full of real fans and music lovers. I told my Dad over the phone that "The Swallow at the Hollow" is the kind of place where it's OK to eat with your hands - they boast the best BBQ anywhere, anytime. Neither of us are huge barbecue fans but we were there for the music and a great time was had by all.

Slow Art

I'm thinking I need to stop mentally building twenty foot square canvases, slapping paint on my bare body and flinging myself full tilt boogie at said canvases. Them days are truly over. I think this crocheting fest is a sign. For the New Year, some Slow Art. Slow for me anyhow.

remember those scraps from yesterday?

I've been busy. I was going to take a look around the web for input on log cabin blocks but decided against it. I shoulda looked. Should learned what it was all about. Each block is 9"square-ish. I did make one years ago but the fabric was all plaids from Bonnie Doon blouses - who could tell which end was up? I sure couldn't. And now this. I got up this morning, finished off the last blocks while listening to Charles Osgood guide us through some good and thoughtful news including a wonderful article on the English painter J.M.W. Turner and the fact the Blue Iris will be the Color to be in 2008. Then I came downstairs to see what the internet had to offer. Checking Bloglines to see who had updated recently, I was delighted to see that Dijanne Cevaal had something new to offer. It never ceases to amaze me how we seem to tune in to the same things. I like hers better but "I ran out of orange and red" seems a lame excuse. Maybe some checkerboard sashing? Maybe some ketchup and glitter? Jude - I have to take a serious lesson from you. "SLOW DOWN & CONSIDER" would put it gently. I rushed this one into pell mell hell so far. I was knee deep in scraps when I remembered what I really wanted to do was a move on your little windows which will remain on my mental drawing board.

what I'm working on

There are a few good shepherds on the QuiltArt mail list who, when the topics wander too often into dangerous or irrelevant territory, will ask the very pertinent question "What are you working on" art-quilt-wise?" This time,when the bell was rung, I drew a blank. Colin got me a copy of "Art & Fear " for Christmas and I started to keep my promise to self to make time for holding a book in my hands and taking the content in through my eyes and into my brain. Good Old Fashioned reading. No sooner did I start the second chapter than I needed to put the book down and start assembling UFOs to be discorporated as ingredients for a functional, to be snuggled under, bed quilt. Much of the impetus for this project has come from Jude Hill's "Listen to the River" story. Really, it's where all my current work got started years ago. Making something useful out of drek. Making something to be beloved and long lasting. Making something that matters for someone who matters to me. Not a bad way to start the new year.

Holiday Procrastination & Link Love

Instead of wrapping, cleaning or baking, I'm crocheting. I should have dropped a cat or something on this to give this some scale. It's getting big but a long way off from the 8 foot + diameter that I am aiming for. I've been going through my stash and cutting old hand dyes into one inch strips (with scissor, like a jerk!) and working with a plastic crochet hook that's fat like a Sharpie. My whole point in making a rug? I'm "manifesting" new flooring to replace the ancient, hideous Berber wall-2-wall that's in the living room now. I'll keep you posted on that project. Aside from a burgeoning case of self-inflicted carpal tunnel pain, I'm about the abandon the web for a few days. Before I go, a confession: I'm a Stumbled On junkie. Here are a few of the gems uncovered since I recently retooled and expanded my options: This one will make your stomach flutter and/or make you laugh out loud. Dig a little deeper in Jeff's website and be pleasantly surprised at who you are dealing with. Here is a beautiful little flash movie complete with music. photos for all you bird fans out there. ASL for shut ins and finally, Here's looking at you.

Christmas Cheer

I got home from work this afternoon to find that my husband and my son had done all the dirty work involved in holiday decorating. The wreath had been unearthed from the attic and the tree was lit and decorated with all the ornaments we have collected through thirty years of marriage and family. The air was full of the aroma of Jim's prize winning chili and I got to spend an hour refurbishing this little copper what-not that was languishing in the bottom of the ornament box because most of it's beads had fallen off. Happy Holidays!

holiday works

I've been busy making holiday postcards with the intent of sticking on the stamp and throwing them naked (the cards, not me) into the maw of USPS. I have great confidence that 99% will get to their destinations intact and on time.

Beam me up.

I just spent an hour or so crocheting this coozie from that same wonderful cotton yarn I made the mittens from. And what's that poking out of the poke, you say? It's my very first cell phone unless you count the disposable kind you get from the grocery story. I have resisted having a "real" cell phone for so long because our house is situated in a dead zone - no signal. On the left, my Star Trek communicator pin that I bought from QVC when they first came on the air. I had hoped that someday, I could just slap that pin and make myself perfectly clear and even get beamed up but it looks like I'm still going to push buttons and get busy signals or no signal.

Auction tonight!

8th Annual 5 by 7 Show

Exhibition Dates: Friday, December 7, - Sunday, December 23 Opening Reception: Friday, December 7, from 5-7pm Admission: $10.00. Free for participating artists. Gallery Hours: Friday – Sunday, 12 to 5 pm or by appointment Location: Kleinert/James Arts Center, 34 Tinker Street, Woodstock, NY

The Woodstock Byrdcliffe Guild is pleased to present the annual 5 x 7 Show, opening on Friday, December 7th from 5-7pm at the Kleinert/James Arts Center. This highly anticipated exhibition features approximately 150 original works created on 5”x7” canvases by prominent artists living in the Hudson Valley and beyond, including Gregory Amenoff, Nancy Azara, Jake Berthot, Donald Elder, Milton Glaser, Melissa Meyer and Joan Snyder. With sponsorship from TD Bank North, each work will be sold for $100 and is anonymous until after purchase. All proceeds support future exhibitions at the Kleinert/James Arts Center in Woodstock, NY. This one-of-a-kind show continues through December 23rd. You can contact (845) 679-2079 for a list of participating artists. This is everyone’s favorite little show so don’t miss out on all the excitement!

And Moi, too. I'm on pins and needles to see if my little things fly off the shelf and so honored to be in great company. Milton Glaser was a frequent lecturer while I was attending my Almost Mater, the School of Visual Arts in New York City. I know I paid attention most of the time, after all I was paying for it.

this from the Milton Glaser Studios website :

Moments that Sing in the Heart

I love this picture. You can click on it get a better look.I shot it through the car window while we were waiting for our hosts to catch up with us at their house. "Yoo Hoo, honey, the Men in Black are here." I got up with an aching back this morning and wasn't all that enthused about grocery shopping but I wanted to cook so I had to do the necessaries. The Publix bakery worked their worst voodoo on me but while I was walking around in the store adding things to the cart, I had a change of heart about those two cannolis I was going to devour so I walked them back to whence they came. As I put them back into the cold case, who should appear over my shoulder but my best Angel, the ganster on the left in this photo, catching me red-handed being good. He was in the store picking up lunch things for his crew. Love you my darling.

Temporary Eye-Candy

Pass out the shades! For lack of anything current to examine, here's my second ever art quilt from 2001 0r 02. I was working the late shift at AT&T answering a phone that never rang so I transferred my phone number into the conference room and kept myself busy by building this queen-sized monster on the huge conference table one hand appliqué at a time. Unearthed in the recent studio move, it's mostly machine quilted and not bound, but real warm over the back of the couch. It adds to my "pirate's den/gypsy camp" decorating theme doncha think?

Home Again

We're home from a visit home to NY where we attended Eleanor's funeral and reconnected with family and friends in a wonderful and poignant balance. Visiting this small liquor store in Rosendale to buy some wine for our hosts was a mere excuse to experience some major comic relief. This is Sake Lee, Liquor Store Assistant, who has had write ups in several local papers and now about to be an internet star.

Eleanor & Donna

My mother-in-law Eleanor passed away today after a long illness. We will be leaving for her funeral in New York tomorrow. Eleanor was an "old school" kind of Mom, her kids and family came before anything else. She was the Very Best mother-in-law, trusting me to do right by one of her finest creations and never meddling with my job as wife and mother although she was an expert and I was a rank amateur. We always treated each other with love and respect and she will be deeply missed. When Jimmy and I first made our intentions for each other known to our families some thirty years ago, Eleanor was the first non-skeptic. I'm a bit older than my husband and at first our families were a bit freaked out about it. After my first dinner with his family she and I chatted while doing the dishes. Well, she grilled me lightly as a mother should. I guess I gave the right answers because I always felt we had her blessings from that day forward.

Broken compass, New directions

While I was waiting for things to cook Thanksgiving day I spent some time blindly stabbing at Maria Elkins artist's links. If you've never been to this site, be prepared to lose a few hours. Add to that links to some of my favorite artists and I got a whiff of a glimmer of an idea to follow. I feel like a bloodhound set onto a long gone but very smelly escaped convict. Two of my all time favorites are Eleanor McClain and Mary Ann Jordan who have both recently added new work to their sites. I love the impact of the work of both these artists. Talk about being gobsmacked! (I only just stumbled across this blog and haven't fully investigated it yet. I see yarn, a kitten, and some real writing - I'll get back to you on this one). Add to these stops Jude Hill's wonderful story about the creation of "Listen to the River" over at Spirit Cloth and Judy Martin's adventure in overdyeing a completed quilt. Don't miss Judy's magical water color work while you are there. Because my project involves dyeing, I'll need sunshine and warm breezes to carry out my ideas so I will probably have to wait until the Focus on Fiber retreat in April before I can work on this project! Talk about your distant back burners! I may be reduced to reminiscing with tiny Rothko puppies like this one from 2005. Where is this one I wonder? The dyeing I could do in my kitchen but the drying of unrinsed fabric will have to take place out on the deck where I'll have to string some clothesline. There will be cutting and piecing (did you know I was a closeted Amish?) and discharging and overdyeing going on too. In what order and how and when I am still pondering. Jeez, I don't want to overthink this one....grrrr. In the meantime, it's back to the studio for more work on this one including meditating on a suitable name.

Thanksgiving Day

Don't you just love a bargain? I just got back from what I hope is my last pilgrimage to the grocery store for the things I forgot to get over the last three trips. These flowers were marked down to 2$ and were about to be tossed in the trash! I passed on the 3$ peach colored roses. So there's a 22 pound turkey bathing in the kitchen sink that still has some ice crystals up where the giblets are stuffed and I'm blogging. It doesn't have to go into the oven until 1:30 (thanks for the calculations, Poppy) because Jimmy won't be landing at Hartsfield until 5:30 if all goes as planned. These two little pieces were made for an invitational art auction and have to get in a priority mail box tomorrow to reach their destination in time. "The Egyptian Room" was inspired by the film "A Night at the Museum" which I finally saw last week. Both pieces are fabric collaged onto 5"x7"canvases with acrylic medium.

Home Towns

Take a look at this list. Do you recognize your home town? (If you do, send me an email and say "Howdy") This is a very partial list of locations for people who have had the interest to stop by my blog or website for a few minutes and look at my work and read about my life. It just staggers me with hope and gratitude that so many people all over this planet can care about something as fleeting and inconsequential as the art-making of a middle aged lady in Old Dixie, America. It reminds me that all over this world, in hometowns everywhere, we all have the same big concerns about family, hopes for the future and desire for life on this fragile planet. We all breathe the air and drink the water. I give thanks.

Self-indulgence

These crocheted cotton mittens took one documentary on Stanley Kubrick, one of his early films "Paths to Glory" and "Shakespeare in Love" to complete. Not a bad way to spend a slow Sunday afternoon. I don't really know how to crochet beyond this one stitch so I just build with this one stitch right on my hand. I was happy they both turned out the same and can't wait for a frosty morning to try them out.

More new stuff and miscellany

Pamela's talk about non-representational work and the mere mention of Mark Rothko has caused me to drag out pieces of hand-dyed damask and hand painted cottons that I could never bring myself to cut into and use them in a large way. I recently came into a few acres of a really intense, black polyester blend that has found new life as base and backing fabric. Just gonna stare at it awhile and try to see how the stitching will help or hurt it. I'm having second thought about the center element. It's starting to look like a skirt.

This is me going away with Voodoo and Jinx who are not quite aware that the other is there or mayhem might have ensued.

And this is my little pagan family protection nest.

WWU3 or maybe not

#3 is in the early stages. I resisted coming out of the blue palette but Jim insisted and he was right, but I'm not happy with some of the shapes so after the "brutal wash" there will be some hacking. The mauve/gold/white pieces of fabric are a kind of cotton that you can no longer buy and take the dye in wonderful, fine grained marbled way that I could never reproduce in any other cloth. This was originally a sheet from my Aunt Jo & Uncle Chuck Morley's hunting lodge in Flint, Michigan so it is easily fifty years old. Two summers past, it became too fragile to continue as my favorite bedding so into the dyepot it went. I've been hoarding it ever since. The cut work came from an estate sale in Narragansett, RI.

WIPS

These two pieces have come together for me in ways that I have to call mystical. They are made from the hand dyed antique damasks and cutwork lace pieces that I have been collecting for a while now and based on that wonderful, cut-rate, ancient cotton muslin I scored at OHCO. In some place the holes in the fabric were just there from age and laundering. In other areas I used sandpaper and a rock to abrade the raw edges and thin places for tearing - cotton damask is rough stuff. This one (55"x40") finished with less painting than I first thought. The second piece has more stitching in it's future, some hand stitching and painting . They are both large, this oneis 57"x 42" , both too big to photograph inside the studio without picking up furniture in the frame but it's still dark out. After the top was constructed and hand basted, I put it through a rough, hot machine washing with some work clothes. When I went to build it, I found that I had exactly enough batting left, to the 1/4 inch. I didn't see those spooky eyes until after it came out of the dryer. Thinking about working on these pieces leaves me feeling vague and slightly possessed. I like it.

Flow & Recuperation

After taking to her bed for a couple of days with lethargy and mopery, a 124$ trip to the vet for a look-see and some pink medicine, Jinx came into my studio today and jumped up onto the new WIP, rolled about and generally proclaimed herself on the road to recovery. We are all relieved. I finished up work on what is now titled "XX" and pretty quickly "XX 2 " came together on the design wall. As big as it is, it turns out that I had exactly, to the quarter inch, enough batting to get this piece built. I did some things differently this time, distressing some of the fabrics with sandpaper and rocks to get the worn feeling I wanted. ps. the original working title of this piece smacked of plagiarism according to the author of a book by the same name. He sicced his literary agent on me and the smell alone was enough to back me off and change the title of this whole series. We'll see what's in a name now that the book will not be mentioned here or anywhere else by me.

Stymied is my middle name

Seeing what Marie, Rayna and Dijanne have been up to is driving me nuts! There is a huge pile of PFD fabric, a big bag of soywax and a dozen new tubs of mx dyes waiting for me in the studio and whatever scraps of free time I have, I seem to only be able to accomplish SLEEP. Before any of that I have a deep need to tiptoe up on the current WIP and do things to it while it's not looking. It's a monumental piece as much in scale as in meaning for me and I'm worried about screwing it up but the vision calls for a little more. My baby sister Patty was here just overnight and I had 72 hours of anxiety over the fact that I perceive her as a disciple of Martha Stewart .Her daughter Kim says she walks around with a sponge in her hand and a glazed expression on her face. In my house I (half) joke that I had better do some domestic engineering before the Board of Health starts nailing notices to the door. Of course she was a gracious guest and we enjoyed the first all-Georgia family sit down dinner in longer than I can remember. Pat was here representing Wildlife Artists, Inc. on a sales call to the Georgia Aquarium toting with her a huge duffle bag full of the most adorable collection of stuffed creatures you could imagine. Some folks get all the fun! When she's not pushing plush she's a kickboxer!

A Day in the Country

Here we are set up (before there was any light to see by) for a day of a little marketing and a lot of people watching at the Bostwick, GA Cotton Gin festival. Optimistic as ever, I didn't think about wearing a jacket and spent the better part of the day looking for a patch of sun to stand in. The "porto-Public" facilities were atrocious so I just didn't consume any liquid for most of the day. When I say this place is out in the country I mean COUNTY. But just because we are in Georgia, don't think "redneck". This town and it's people are steeped in the culture of an American farming community and it was just plain nice to see hardworking people having the only good time for 50 miles around and none it having anything to do with what passes for contemporary cultural past times. A few ladies who might have had a nodding acquaintance with needlework paused by one of my quilts and then fell back clutching their hearts over the high price tag I had on it. "Honey, are these real diamonds sewn on here?" one remarked smartly. "Just WHY is this one so expensive?". My answer seemed to satisfy them- "I just really don't want to sell it". The day started with a parade down main street that consisted of countless John Deere tractors, most of them vintage, and a few old school hotrods. The parade ended up in field just adjacent to the pecan grove where we vendors had our tents pitched. A good time was had by all.

BOO!

As ever, my yard full of ghosts did a good job keeping the less hardy trick-or-treaters at bay. Tied to the ends of the tree branches, these are particularly effective when there is a breeze and I stand behind one of the trees and moan menacingly. One adorable baby giraffe made up for a squad of surly zombies and a parade of Paris Hilton wannabes. What were their parents thinking? I feel like posting a sign on the walk "NO ONE OVER THE AGE OF 10 PAST THIS POINT!" I am going to have to open an wholesale used candy store.

Now that the Season is Over

I congratulated my Dad early today on the Red Sox World Series win and now retreat into a "zero sports" mode until next April. While waiting on a batting purchase for the Big Blue Monster I'm trying to loosen up my freemotion moves with these little practice pieces. At first I had wild notions of hand stitching it. I spent an hour at that this morning, took another look at the deadline and changed my mind. I can make my Janome do what I need for this piece. Saturday I got down to OHCO an snatched up 10 yards of 90" cotton then made a special trip out to Snellville for batting and soda ash - a dyefest planned if the thermometer climbed out of the 60's. It never did but a quick check of dye colors on hand to find a seriously limited palette so a dye day will have to wait. Besides, I'm supposed to be getting ready for Saturday.

WIP fall edition

There are errands to run and a baby shower to get ready for so of course I started the day tinkering further with this WIP that I started on last night . I don't normally conjure up work for specific exhibits but this call for entry "BLUE" from Translations Gallery in Denver piqued my interest especially when I looked at the things I have done in the last few years and found Blue to be seriously under represented. When I was little I always used every single color in the crayon box during a coloring session because I had this notion that if I neglected any colors, they would get mad at me, or maybe feel left out. Blue, I hope I'm forgiven.